Text, interpretation and image. Clarice Lispector was always running away from the obvious message.
What he wrote and why he wrote it became the embryo of his meanings — meanings that are sought in his fictions, chronicles, interviews, theatrical and cinematographic adaptations. From her emblematic debut novel Near the Wild Heart (1943), which earned her comparisons to Virginia Woolf, to the renowned novel The Hour of the Star (1977), rekindling an old debate about the writer’s intellectual distance and the so-called social problems, the writer placed in the sign of language the possibility of the word being understood in different ways, at all times that his work and his figure were/are used by others.