In the bourgeois imaginary, the maid\u2019s room is a territory of exclusion. Although it is part of the house or apartment, this substitute for the slave quarters is a place where the bosses rarely enter and care little about it. In architecture, it is equivalent to the myth that the maid is \u201cpart of the family\u201d, but a separate part, which must remain segregated from the other rooms, from which she is separated by the kitchen and the service area.<\/p>\n\n
In Brazilian cinema, the maid\u2019s room has made significant appearances in films such as \u201cQue Horas Ela Volta?\u201d, \u201cDomestica, \u201cDo Outro Lado da Cozinha\u201d, \u201cRecife Frio\u201d, \u201cDomingo\u201d e \u201cCasa Grande\u201d. Never, however, has it gained as much prominence as in \u201cPassion According to G.H.\u201d, a transposition of the book of the same name by Clarice Lispector done for the cinema by Luiz Fernando Carvalho. Here the maid room becomes the scene of a lugubrious epiphany for the owner of the house, who had not entered in it for years.<\/p>\n","protected":false},"excerpt":{"rendered":"
In the bourgeois imaginary, the maid\u2019s room is a territory of exclusion. Although it is part of the house or apartment, this substitute for the slave quarters is a place where the bosses rarely enter and care little about it. In architecture, it is equivalent to the myth that the maid is \u201cpart of the […]<\/p>\n","protected":false},"author":1,"featured_media":0,"comment_status":"closed","ping_status":"closed","sticky":false,"template":"","format":"standard","meta":{"_acf_changed":false,"footnotes":"","_wp_rev_ctl_limit":""},"categories":[22],"tags":[],"class_list":["post-744","post","type-post","status-publish","format-standard","hentry","category-critical-fortune"],"acf":[],"_links":{"self":[{"href":"https:\/\/ghfilme.com\/en\/wp-json\/wp\/v2\/posts\/744","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/ghfilme.com\/en\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/ghfilme.com\/en\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/ghfilme.com\/en\/wp-json\/wp\/v2\/users\/1"}],"replies":[{"embeddable":true,"href":"https:\/\/ghfilme.com\/en\/wp-json\/wp\/v2\/comments?post=744"}],"version-history":[{"count":0,"href":"https:\/\/ghfilme.com\/en\/wp-json\/wp\/v2\/posts\/744\/revisions"}],"wp:attachment":[{"href":"https:\/\/ghfilme.com\/en\/wp-json\/wp\/v2\/media?parent=744"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/ghfilme.com\/en\/wp-json\/wp\/v2\/categories?post=744"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/ghfilme.com\/en\/wp-json\/wp\/v2\/tags?post=744"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}