{"id":732,"date":"2025-07-07T19:17:14","date_gmt":"2025-07-07T22:17:14","guid":{"rendered":"https:\/\/ghfilme.com\/sem-categoria\/in-this-sensorial-inventive-adaptation-of-clarice-lispector-a-sculptor-faces-a-tortuous-existential-horror\/"},"modified":"2025-07-07T21:59:33","modified_gmt":"2025-07-08T00:59:33","slug":"in-this-sensorial-inventive-adaptation-of-clarice-lispector-a-sculptor-faces-a-tortuous-existential-horror","status":"publish","type":"post","link":"https:\/\/ghfilme.com\/en\/critical-fortune\/in-this-sensorial-inventive-adaptation-of-clarice-lispector-a-sculptor-faces-a-tortuous-existential-horror\/","title":{"rendered":"In this sensorial, inventive adaptation of Clarice Lispector, a sculptor faces a tortuous existential horror"},"content":{"rendered":"\n<p>In Luiz Fernando Carvalho\u2019s A paix\u00e3o segundo G.H., Clarice Lispector\u2019s highly philosophical prose finds a cinematic rendering that surpasses all expectations. G.H. is a well-off Brazilian sculptor who, one day, encounters a cockroach in her maid\u2019s closet. Following this incident, she descends into unknown regions of her being. The breakdown \u2013 a sort of madness, but also a passion in the religious sense \u2013 strips all masks, undoes her completely, and leads her to a new experience of life. The film combines the confessional, the experimental and the psychological to achieve an existential horror with echoes of Ingmar Bergman\u2019s Through a Glass Darkly (1961) and Roman Polanski\u2019s Repulsion (1965).<\/p>\n","protected":false},"excerpt":{"rendered":"<p>In Luiz Fernando Carvalho\u2019s A paix\u00e3o segundo G.H., Clarice Lispector\u2019s highly philosophical prose finds a cinematic rendering that surpasses all expectations. G.H. is a well-off Brazilian sculptor who, one day, encounters a cockroach in her maid\u2019s closet. Following this incident, she descends into unknown regions of her being. The breakdown \u2013 a sort of madness, [&hellip;]<\/p>\n","protected":false},"author":1,"featured_media":0,"comment_status":"closed","ping_status":"closed","sticky":false,"template":"","format":"standard","meta":{"_acf_changed":false,"footnotes":"","_wp_rev_ctl_limit":""},"categories":[22],"tags":[],"class_list":["post-732","post","type-post","status-publish","format-standard","hentry","category-critical-fortune"],"acf":[],"_links":{"self":[{"href":"https:\/\/ghfilme.com\/en\/wp-json\/wp\/v2\/posts\/732","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/ghfilme.com\/en\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/ghfilme.com\/en\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/ghfilme.com\/en\/wp-json\/wp\/v2\/users\/1"}],"replies":[{"embeddable":true,"href":"https:\/\/ghfilme.com\/en\/wp-json\/wp\/v2\/comments?post=732"}],"version-history":[{"count":0,"href":"https:\/\/ghfilme.com\/en\/wp-json\/wp\/v2\/posts\/732\/revisions"}],"wp:attachment":[{"href":"https:\/\/ghfilme.com\/en\/wp-json\/wp\/v2\/media?parent=732"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/ghfilme.com\/en\/wp-json\/wp\/v2\/categories?post=732"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/ghfilme.com\/en\/wp-json\/wp\/v2\/tags?post=732"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}